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At the Corner of Guilt and Delight
I have long been intrigued by writer Jeffrey Carrier, who worked with silent film actress Patsy Ruth Miller on her memoir, My Hollywood: When Both of Us Were Young, in the 1980s. The book stands out among film historians as one of the best to come out of the last remaining silent film players in the…
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Conversations with Loretta
By Michael G. Ankerich Loretta Lynn’s death on Tuesday, October 4, 2022, stunned me, caught me off guard. I was working at home when my phone beeped. I looked down at the text message from The Washington Post. “Loretta Lynn dead at 90.” I got up from my desk, walked into the den and told…
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A fauvism style portrait of Lottie Pickford
Just finished a portrait in the fauvism style of Lottie Pickford, the sister of Mary and Jack. You can read about Lottie’s tragic life in my book, Hairpins and Dead Ends: The Perilous Journeys of 25 Actresses Through Early Hollywood. What symbolism do you see in the painting? 9×12 oil on wood
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Happy Birthday, Mr. Jimmy!
President Carter celebrated 98 years this weekend. I have said before that he is one of the most decent, inspiring, and giving human beings I have ever known. I offer this little anecdote. One Sunday at church, I was sitting a row being Mr. Jimmy. He was sitting by himself. I’m not sure where Ms.…
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Fontaine La Rue: Her story told in Hairpins and Dead Ends
Fontaine La Rue fascinated me for years, but she was elusive. I wanted to know what became of her and what her life was like before and after she left films. She was Dora Rogers, the Keystone Vamp, in the 1910s, and Fontaine La Rue in the 1920s. That I knew, but what became of…
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Hairpins and Dead Ends: The Dedication
When it came time to dedicate Hairpins and Dead Ends, I couldn’t settle on one, so I chose two important ladies in my life, two larger-than-life characters who had perilous journeys of their own: silent film actress Lina Basquette and Carol Ankerich, my mother. My mom has been gone over two years and the wound…
[…] wanted to be a writer-director,” she told the film scholar Michael G. Ankerich in 1994. “All of a sudden…