Michael G. Ankerich: The SVM Interview

I was delighted to be interviewed for the February/March issue of Southern Views Magazine (SVM). For those of you who may not have access to the publication, I am providing some of what we discussed in this blog.

Screen Shot 2016-03-15 at 4.32.22 PM

 

You have been writing books about American silent film and early twentieth century actors and actresses for the last couple of decades now. What made you decide to write about this period and genre?

I was fascinated by the silent film era as a teenager and it was pure curiosity that prompted me to focus on that era. I simply wanted to know more. This was in the mid-1910s, a long time before the Internet. The curiosity I had led me to a dead end where I realized that the information I was looking for was still unwritten. I delved into my own research and, eventually, I wanted to share what I had learned and discovered.

During your investigations for the books you wrote, did you have the opportunity to meet personally with any of the actors or actresses, and if so who were they, what kind of unique treasures and memorabilia did they share with you?

When I began my research, there were a number of the actors and actresses still alive from that period, the 1910s and 1920s. My first objective was to make contact with those who had been there and worked at the period. I spent the next 15 years or so traveling back and forth to the West Coast and interviewing those fascinating individuals and recording their memories before the passage of time took away their stories.

Those interviews became the basis for my first two books: Broken Silence: Conversations With 23 Silent Film Stars (1993) and Broken Silence: Conversations With 16 Film and Stage Personalities Who Made the Transition from Silents to Talkies (1998).

They were quite generous in sharing their portraits and movie stills with me for the books.

Hard to believe that Muriel Ostriche started her career in films in 1911, a hundred years ago!

Hard to believe that Muriel Ostriche started her career in films in 1912.

I interviewed Muriel Ostriche, whose career in films began around 1912. I interviewed Maxine Elliott Hicks, who made her first film in 1914 and was still making films when I talked with her in 1990. I talked with some (Ethlyne Clair, Mary Brian, Anita Page, and Hugh Allen come to mind) who had not spoken that extensively about their careers since their retirement.

Douglas Fairbanks Jr. talked about working in the shadow of his famous father (Doug Sr) and his relationships with Mary Pickford, his stepmother, and Joan Crawford, his first wife.

tail2

Billie Dove

Billie Dove, once referred to as the Elizabeth Taylor of the 1920s, vowed over the phone that she would not answer questions about her romance with and engagement to millionaire Howard Hughes, but by the end of our conversation, she had invited me out to her home in Palm Springs to tell me the fascinating details of their relationship.  

While they were silent film stars, they were anything but silent when I talked with them. Their stories would make you laugh, cry and gasp!

One of your masterpieces is Dangerous Curves atop Hollywood Heels: The Lives, Careers, and Misfortunes of 14 Hard-Luck Girls of the Silent Screen. What made you write this book?

Dangerous Curves was a departure from my first two books, in that the stories were not based on interviews with the subjects but on research, archives, and family interviews. I selected the subjects not because I was expert on them, but because I wanted to know more.

eve13

Eve Southern

I choose 14 actresses from that era who had relatively difficult experiences in their careers. I traced their precarious routes through fame and uncovered how some of the top actresses of the day were used, abused, and discarded.

Many who read my books like Dangerous Curves best. It has certainly opened up new avenues for me. It led to several speaking engagements and my television debut on a Lifetime Movie Network series, The Ghost Inside My Child, in 2014.Screen Shot 2016-03-12 at 5.37.34 PM
One of your latest works is based on the biography of silent film actress Mae Murray. Why her and what does she mean to you?

First of all, Mae Murray was everything a movie queen in the days of silent films was expected to be: extravagant, vain, eccentric, egotistical, and temperamental.

age5

She was a biographer’s dream. There was much of her life I knew, some I thought I knew, and areas I didn’t know at all.

Mae’s life was truly a rags-to-riches and back-to-rags story. She escaped a childhood marred by poverty and alcoholism, divorced her family, and was reborn as a Ziegfeld Follies showgirl in the mid-1910s. In Hollywood, she became a huge movie star, but at the height of her fame, walked out on her $7,500-a-week film contract.

Mae and her prince, David Mdivani.

Mae and her prince, David Mdivani.

 

She married one of the “marrying Mdivani” princes who turned out to be a phony. She fled to Paris, became a mother, and returned to Hollywood only to be blackballed by her enemies. By the time Mae divorced her prince, her $3 million fortune was little more than pennies. Exhausted after countless legal battles and one-night stands on the road in vaudeville, she slept on park benches in New York’s Central Park. For the rest of her life, this poor woman fought poverty but continued to live in a fantasy world where time had not passed her by.

So, as you can see, her life read like a movie script, but it was real life for Mae Murray. I could not have asked for a better subject!

 Is there one particular silent film star that you are more fond of and why?

I am infatuated with Greta Garbo as an actress and screen personality. Her beauty is breathtaking. After spending more than two years researching her life and career, I also developed a genuine fondness for Mae Murray, if for no other reason than her will to survive. Lon Chaney, a master of disguises, is also up there on my list.

Thanks, Eric Rebetti!

Mae waving goodbye to her fans

Are there any classic films that you like to watch over and over?

Although she wasn’t from the silent film era, Bette Davis is my favorite film actress of all time. I can watch Now, Voyager and All About Eve over and over. Any Bette Davis film, for that matter!

How does the artistic value of a silent, classic film culture compare to the artistic value of today’s film culture?

Lillian Gish, the first lady of the silent screen and an advocate for silent film preservation until her death, said it best. Silent films were the marriage of film to classical music. It was during this era that films spoke a universal language, meaning they were done with action and music, not words. Part of the message is lost when a film’s plot depends on words and has to be translated into the language of every country where it is shown.

Silent films are generally misunderstood today because the clips people see are poor quality prints projected at the wrong speed. It is extremely unfortunate because the jerky motion and speed of projection give the impression that all silent films were bad slapstick.

Are you currently planning and working on any future projects or books?

I’m in the middle of writing my new book, Hairpins and Dead Ends: The Perilous Journeys of 20 Actresses Through Early Hollywood. It’s a companion volume to Dangerous Curves atop Hollywood Heels. I have several other book ideas floating around, including a spiritual autobiography. There’s also a speaking engagement and book signing in the works for Los Angeles later in the year. So things are percolating right along!

Screen Shot 2016-03-12 at 5.38.38 PM

 

 

 

Advertisements

Blogging for a Good Book reviews Dangerous Curves atop Hollywood Heels

Check out this latest review of and recommendation for Dangerous Curves atop Hollywood Heels.  Thanks, Neil!  Glad you enjoyed the book.

 

Dangerous Curves atop Hollywood Heels: the Lives, Careers and Misfortunes of 14 Hard-Luck Girls of the Silent Screen, by Michael G. Ankerich

October 29, 2012 by Neil

Bud gets this Halloween week started with a post that goes back to the dark side of the silent film days:

A small-town girl comes to Hollywood looking for stardom. She hits the big-time in her first starring role and fame and fortune are hers forevermore. It’s the old Hollywood fable. But there is another old Hollywood story, one that is far more common. In this scenario, the ingenue hits town, maybe has some success, maybe not, but there is no happy ending to her tinsel town tale. Booze, drugs, poor choices in men, personal problems or simple bad luck sends her on the downward slide to obscurity where the ending is almost always tragic.

Dangerous Curves Atop Hollywood Heels byMichael Ankerich explores this dark side of the film industry with short biographies of fourteen silent movie actresses who found moderate success in the 1920s only to hit hard times in the ‘30s. For these poor souls, theDepression years really were depressing. Among the ladies detailed are:

Agnes Ayres: This once popular actress is best known for co-starring with Rudolph Valentino in The Sheik. But she put on weight, lost her looks and was prone to diva behavior and nervous breakdowns so the film industry gave her the heave-ho. She died alone at the age of 48, physically and emotionally depleted from years of struggling to regain the spotlight.

Barbara La Marr: La Marr, who played seductive vamps onscreen, was known asThe Girl Who Was Too Beautiful. In her brief, scandal-plagued life she burned through five husbands, numerous lovers and a vast quantity of drugs and alcohol. She died at 30 from some mysterious wasting disease leaving behind a child and an unmatched reputation for living hard and fast.

Mary Nolan:  Mary had a hard knock life, much of which she brought on herself with her predilection for stimulants, drama and bad, bad men. After a brief stint as a Ziegfeld Girl she went on to become an international film star. But Mary had masochistic tendencies and her rendezvous with sadistic men did not lead to 50 Shades of Grey love affairs.  Instead, unsurprisingly, they resulted in scandal, severe physical injuries and continual pain that she numbed with narcotics. Poor Mary wrecked her career, lost her money and ended up singing in cheap saloons before the inevitable sad fade out at the age of 42.

Despite–or perhaps because of–the dark nature of these stories they are compulsively readable, poignant scandal sheets from the early years of the film industry.  The depressing nature of the stories is mitigated somewhat by the writing which is not mean-spirited or salacious. The author Ankerich is clearly sympathetic to these ill-fated starlets.

Each section is sourced, includes the actresses’ filmography and there are plenty of illustrations.  Recommended for film buffs or anyone with an interest in women’s history or celebrity scandals.

The Sound of Silence is Reviewed

I’m always appreciative to those who read my books and offer their feedback, especially when they review the book for a newspaper, magazine, or website. Here is a review by Laura Wagner for the May 2012 edition of Classic Images.

And, just for the record, I’m pleased to read those reviews that are not so positive. I believe in the old Mae West saying:

“It is better to be looked over, than overlooked.”

Thanks, Laura!