Life is Good at Hollywood Forever: A Chat With Karie Bible, Tour Guide

If you know me at all, you know I like to hang out in cemeteries. I’ve haunted graveyards all over the world, but my absolute favorite is Hollywood Forever Cemetery. In the middle of crowded and congested Hollywood, it is a haven of rest, for sure, but also a lovely park and a place to spend some quiet time with the Hollywood greats.

The truth is, friends, I’d rather be here than at Universal Studios or Disneyland — any day!

When I’m in Los Angeles researching a book, my pattern is pretty much the same. I have breakfast at Denny’s on Sunset and Western, then head down to Hollywood Forever to walk around and let the bacon and pancakes settle. Then it’s off to the Academy Library for a day of research.

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In 2013, I was a guest speaker at the annual Valentino Memorial Service at Hollywood Forever. I was so excited to meet Karie Bible, a devoted film historian who leads the Hollywood Forever Cemetery Walking Tour. As I figure it, she just about has the coolest job imaginable.

Let’s find out!

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Karie Bible

Michael: How long have you been tour guide at Hollywood Forever? 

Karie: I’ve been giving tours several times a month since February 2002.

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Michael  on his first visit (with Charlene) to Hollywood Memorial (now Forever), about 1986

Michael: My first trip to Hollywood was in the mid-1980s. Then it was Hollywood Memorial Cemetery and was among the first places I wanted to see. When was your first visit and what were your first impressions? 

Karie: When I first visited the cemetery, I was pretty emotional. A co-worker of mine had recently died at a young age and I was very upset about it. When I walked into the gates of the cemetery, I looked around and my mood started to change. I didn’t see the place as sad or morbid. To me it was a peaceful, beautiful oasis and a place to celebrate life. I fell in love with it immediately.

Michael: On that first visit, I was interested in one person: Valentino. Of course, I saw Barbara La Marr, William Desmond Taylor, and Marion Davies. But there really is so much more to see, isn’t there?

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A selfie at Valentino’s crypt, about 2014

Karie: There are tons of things to see! There is a story behind every single grave there. The cemetery has beautiful architecture, unique headstones and hosts a ton of creative people.

Michael: Tell me some of the highlights of your tours. Have you made any surprise discoveries? 

Karie:  One of my favorite things is seeing the look of joy and excitement that people get when they see the grave of a star that was meaningful to them. One day I was giving a tour and speaking to a large group about Valentino.

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Karie at Valentino’s crypt

There was a girl in the group who was about 20 years old. When I started talking about Valentino’s life, tears began pouring down her face. She finally turned around and ran out of the building. I was a bit shocked and couldn’t imagine what I could have said to upset her. I asked her boyfriend if she was ok. He said, “She just gets very emotional about Valentino.” It is a pretty big testament to his charisma and star power that ninety years after his death young girls still cry and react emotionally at his grave.

On another day I had an elderly lady who actually taught Jayne Mansfield’s children. She said that there were many celebrity kids at the school, and that Jayne was the ONLY famous parent who ever showed up in person. Screen Shot 2016-04-01 at 4.08.46 PMShe said Jayne was active at the school and a really loving, caring mother. That was a beautiful story and certainly makes her seem much more human. While these people may be icons, sex symbols, etc. they are, in fact, people.

Michael: What questions do you get most from those taking your tour? 

Karie: People often ask me about the peacocks and many of the graves with the faces etched into the marble. Those things add so much character to the place.

Michael: Yeah, I want to get to the peacocks in a minute. Any estimate as to the number of tours you’ve given? 

Karie: I couldn’t even begin to tell you. I do about two or three tours a month and it has now been 14 years. That isn’t counting private tours, the special art deco tour and other things.

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Karie in tour!

Back in 2013, I started getting kidney stones right before I gave a tour. I didn’t want to let the people down who had booked and I figured that the show must go on! I gave a 2 ½ hour tour with massive kidney stones. I was in so much pain that I really don’t remember very much. I have done the tour so many times that I sort of went on autopilot. I was rushed to Cedar’s Sinai right afterward.

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Johnny Ramone’s monument

Michael: What’s the most unusual monument or tombstone? 

Karie: None of them seem unusual to me, but I think that Johnny Ramone’s grave seems to draw a lot of attention. I’ve given many tours to seniors who don’t even know who he is, but that can’t stop looking at his grave.

Michael: On a recent tour, I was looking for the grave of Mae Murray’s brother. I was almost attacked by a gigantic peacock. I’ve since seen their cages. I have to admit they are beautiful creatures. What’s the story behind them and their home at the cemetery? 

Karie: Someone told me that the peacock is a symbol for eternal life. That would make sense because cemeteries are always filled with symbolism and nothing is just there arbitrarily. If you look near the flower shop, there are peacocks in the stained glass and even peacock feathers painted on the dome over the building.

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Watch for the peacocks; they have the right of way!

Michael: What’s the story around the big, black car that sits up front?

Karie: That is an antique hearse that the owner Tyler Cassity purchased. I think it is from 1939. As far as I know it still works and is put to use.

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Michael: Are there any unmarked graves of silent film stars there? I believe Florence Lawrence’s grave was once unmarked, but she now has a marker.

Karie: Yes there are still unmarked star graves. Getting a marker can be a complicated process that involves getting permission from the family (if there are any still alive) and raising money. The cemetery has been great about helping make that process happen. I know that silent comic actor Ford Sterling was recently marked and Ann Sheridan was as well. Tyler and his staff recently got a marker for the grave of Pauline Pfeiffer Hemingway, Ernest Hemmingway’s second wife. Historian Allan Ellenberger does an excellent blog about Hollywood history and written about it. http://allanellenberger.com/sins-of-the-mother-the-story-of-pauline-hemingway/

Screen Shot 2016-04-01 at 5.04.16 PMMichael: Have all the film related graves, niches, and crypts been identified? 

Karie: To my knowledge, yes they have been identified.

Michael: Are there any missing old timers that may be there?

Karie: Not that I know of. I always preface things by saying that, as you never know!

Michael: What mysteries are there? What are your favorites? 

Karie: The grave of William Desmond Taylor would count as a mystery. It is one of the most famous unsolved murders in Hollywood history. There have been so many books about it, but I think it will always remain a mystery.

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William Desmond Taylor

I love Valentino, but I feel a deep connection to all of the people there. I spend a lot of time at the cemetery and I’m very passionate about film history. There are so many pioneers buried at Hollywood Forever who were at the ground floor as the art form and business of Hollywood was being created. Many of them worked behind the scenes as writers, cinematographers, composers and crew.

Michael: I understand. My passion is researching the lives of those from the very beginning.

Karie: So many of these people go unappreciated. A great number of them were discarded and forgotten. They deserve better.

Michael: Have you ever met any relatives of some of the permanent residents of Hollywood Forever on your tour? Who were they? 

Karie: Several years ago, I was giving a small tour and as I was at JScreen Shot 2016-04-01 at 4.02.20 PMohn Huston’s grave. I turned around and Angelica Huston was standing right there.
She was cleaning up the flowers and grass around her father’s grave. I didn’t want to bother her, but she was very gracious and a total class act.

Michael: If you were an early actor or actress died in Hollywood, what choices did you have? Rosedale, I know. What others? 

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Karie: Hollywood Forever (originally named Hollywood Memorial Park) was founded in 1899. Forest Lawn Glendale came along in 1906. Calvary Cemetery was established in 1896 and Evergreen Cemetery in 1877. I think that Home of Peace has been in their current spot since 1902. Grand View Memorial Park dates back to 1884. I’m sure there are others I’m forgetting, but those are the ones that come to mind.

Michael: Are there any haunted areas of the cemetery that you are aware of? Tell me the stories. 

Karie: People often ask me that question. I’ve been there a long time and I’ve never had a paranormal encounter of any kind. There have been rumors that Clifton Webb walks down the corridor of the Abbey of the Psalms Mausoleum or that you can hear actress Virginia Rappe weeping. Screen Shot 2016-04-01 at 4.01.29 PMTo me, the history is fascinating enough and I really don’t want to focus on the paranormal. (By the way, read Room 1219 to learn more about Virginia Rappe, the actress who died after the party thrown by Roscoe “Fatty” Arbuckle. It is an excellent read!)

Michael: So, give the cemetery a little plug for my readers? Invite them to take the tour!

Karie: The “Cemetery of the Stars” tour at Hollywood Forever is a great overview of the cemetery. It includes the big names including Rudolph Valentino, Cecil B. DeMille, Marion Davies, Tyrone Power, Vampira, John Huston, Johnny Ramone, Peter Lorre, Mel Blanc and many more! Hollywood Forever is a beautiful place and one of the most unique cemeteries in the world! Learn more about dates and times for the tour at www.cemeterytour.com.

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Watch for these beautiful birds

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A stunning view of the Hollywood Sign awaits as you exit the cemetery.

 

 

Hair Pins and Dead Ends, Ankerich’s new book, on the horizon

Relax, friends, I have not pulled a Howard Hughes or Doris Duke on you and slipped into seclusion on some exotic island in the Pacific. If I ever became a recluse, it would be in Manarola, Italy, but that’s another story.

Michael in Manarola

Michael in Manarola, 2013

I am hunkered down and working on my next book, Hair Pins and Dead Ends: The Perilous Journeys of 20 Actresses Through Early Hollywood. This book is a companion volume to Dangerous Curves atop Hollywood Heels, which was released in 2010.

Hair Pins and Dead Ends tells the stories of 20 young women from all walks of life who, despite the odds against them, rose above thousands of other hopefuls to enjoy various level of success in films.

 

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Like Dangerous Curves, I selected the names for this book because I wanted to know more about their struggles in Hollywood. Some were well known and it was fairly easy to research their lives. Others existed only in fragments, a mention in Variety here, a photo in Motion Picture Classic there. Family members and public documents brought these women back to life.

I wrote extensively about Barbara La Marr  in Dangerous Curves, from her birth in 1896 to her death in 1926. She lived life so fast that I thought we should slow the action down and focus on her formative years, her life before  films.

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In Hair Pins and Dead Ends, I piece together those years using La Marr’s own diary and the unpublished memoirs of Robert Carville, an early lover. I discovered that the “girl who was too beautiful” was really the girl who was too unhappy.

 

Mona Lisa

Mona Lisa

Mona Lisa was equally as mysterious on the silver sheet as she was on canvas. Like Barbara La Marr, this shadowy figure from silent films lived fast. Her publicity campaigns and brushes with the law made her private life more interesting than any films she made.

 

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Margaret Gibson’s 1965 deathbed confession brought her name back to life. A neighbor who had been with Margaret as she lay dying recalls her confessing to the murder of director William Desmond Taylor. While playing virginal maidens on the screen, Margaret drifted into Hollywood’s underworld.

 

Marjorie Daw

Marjorie Daw

Both Marjorie Daw and Virginia Lee Corbin had mothers who brought their families to Hollywood in search of fame in the flickers. Marjorie’s mother died in 1917, leaving the 15-year-old  to raise her teenage brother.

 

 

Virginia Lee Corbin

Virginia Lee Corbin

By the time Virginia could crawl, her starstruck mother was pushing her into the spotlight. Virginia married young to escape her mother’s talons, but found it difficult to let go of her career.

 

Alice Lake

Alice Lake

 

Alice Lake, Helen Lee Worthing, and Lottie Pickford drowned their broken dreams of Hollywood in booze. Alice clung to a career long gone.

Helen Lee Worthing

Helen Lee Worthing

Helen rebounded from mental illness and suicide attempts, but her major sin in life was falling in love with the wrong man.

Lottie Pickford

Lottie Pickford

Lottie never gave a damn about much, preferring to party life away in the shadow of her sister, Mary, America’s Sweetheart.

 

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Sisters Katherine McDonald and Mary MacLaren were the Olivia de Havilland and Joan Fontaine of silent films. They were as different as night and day. Early tension in their lives led to a rift that never healed. Katherine struggled with alcoholism.

Mary MacLaren

Mary MacLaren

Mary, referred to (by some) as a crazy cat lady, spent her last days in her dilapidated home in the heart of Hollywood.

 

Fontaine La Rue

Fontaine La Rue

After a tragedy in their native land, Fontaine La Rue and her mother came to the United States. Fontaine soon married and became the mother of three children. Defying the odds against her, she found her place in the motion picture industry as a comedienne and vamp. I devoted a post to Fontaine when I was searching for her story.  I knew bits and pieces, but lacked the critical piece needed to put her life together.  Her family got in touch and filled me in. Her remarkable story is ready to be told.

 

Belle Bennett

Belle Bennett

Belle Bennett became a teenage mother while appearing in her family’s traveling circus. Once in Hollywood, she denied her motherhood, passing her son off as her brother. Ironically, an accident took the boy’s life, just as Belle was preparing for the mother-of-all roles in Stella Dallas (1925). Belle was stricken with cancer and died at the dawn of talkies.

 

Edwina Booth

Edwina Booth

While Edwina Booth survived the mysterious illness she contracted in the wilds of Africa while on location for Trader Horn, the beautiful blonde was never the same. She disappeared from public view. For years, the world believed she had succumbed to her illness. Edwina, comfortable in her seclusion, never came forward to prove them wrong. Her family sheds light on her illness and later life.

 

Marie Walcamp

Marie Walcamp

Florence Deshon

Florence Deshon

 

Evelyn Nelson

Evelyn Nelson

Marie Walcamp, Florence Deshon, and Evelyn Nelson escaped illness, heartbreak, and disappointment by bringing down the curtain on their own lives. Suicide, it seemed, was the only way to set themselves free.

 

Jetta Goudal

Jetta Goudal

Valeska Surrat

Valeska Suratt

Jetta Goudal and Valeska Suratt committed professional suicide through out-of-control temperament and typecasting.

 

Peggy Shannon

Peggy Shannon

Peggy Shannon came to Hollywood as a successor to Clara Bow, The It Girl, who had broken down from too much “It.” In time, Peggy lost her own way. Hollywood was particularly cruel to this former showgirl and helped her realize that, while she might have been a replacement for Clara, she was a poor imitation.

 

Lolita Lee

Lolita Lee

Lolita Lee, a struggling dancer and movie extra, was hired to replace Barbara La Marr in the film Barbara was making when she finally burned out. Being an imitation of or replacement for anyone never guaranteed success. Lolita soon vanished.

Look for further information about the release of Hair Pins and Dead Ends.

The Sad, Soulful Eyes of Barbara La Marr

By Michael G. Ankerich

Brian Labrie, a reader of this blog, made an interesting comment regarding my June post on Barbara La Marr. How ironic it is that Barbara was dubbed “The Girl Who Was Too Beautiful,” but there doesn’t seem to be a lot of candid photos of her out there in cyberworld. I challenge you to look through their collections and find some relaxed photos of this actress with her family and friends.

Barbara (R) with actress Blanche Sweet.

You know by now that I am fascinated by this lovely creature, plain old Reatha Watson who became world famous as Barbara La Marr. She is on the top of the list of those I would want to interview if I could find my way back to 1920s Hollywood.

The exquisite Barbara La Marr

The other afternoon, I was researching an actress for my new book, Hairpins and Dead Ends: The Perilous Journeys of 18 Actresses Through Early Hollywood, when I came across an interview that British journalist Joan Drummond did with La Marr for Pictures and the Picturegoer (April, 1924).  While the screen siren was great at self reflection, this is most revealing  interview I have ever read with her. The story also included some lovely photographs I had never seen of Barbara. I will share some of them here.

Let’s visit Barbara through the eyes of writer Joan Drummond. I will set the stage for you.

We are high above Hollywood in Whitley Heights at the home of Barbara La Marr. It is the spring of 1924.

The La Marr home on Whitley Terrace.

Barbara is getting ready to go abroad where she will honeymoon in Paris with husband Jack Daugherty and began work in Rome on The Eternal City. The vamp is trying to settle down to a normal home life.  The year before she had secretly given birth to little Marvin and concocted a plan to “adopt” him from an orphanage in Texas.

When writer Joan Drummond showed up at the La Marr home, she first encountered a maid in a cretonne apron warming little Marvin’s bottle by the fireplace. When Drummond said hello, the woman turned from the fire.  It was not a servant at all; she was face to face with La Marr herself.

Drummond writes, “I found myself looking straight into the languorous black eyes and jet-black hair of the screen’s most popular vamp. I hadn’t recognized her out of her trailing gowns, and her silks and satins, black velvet and slinky robes.”

La Marr and son

Barbara gushed about little Marvin. “Isn’t he a beauty? Isn’t he just too sweet for anything?  He is going to be a fine man someday. I’m going to have him travel just as soon as he is old enough. I don’t want him to grow up like other men.  I’m through with men, you know.”

The writer made note of the bitter look in Barbara’s eyes.

Drummond wrote, “I thought of Barbara’s hard fight for recognition, and of her adventures, during those first chequered years of hers in California. I felt we were getting into dangerous ground. She had such depths of experience in her eyes that in spite of her young beauty I found it hard to credit the fact that to-day she is still only twenty-five.”

Rather than follow up in the Barbara Walters style of questioning, Drummond changed the subject to Barbara’s upcoming schedule.

“Busy, my dear? the actress replied. “I’m nearly rushed to death. I’m off to Rome in a few days to make The Eternal City for Goldwyn. It’s a holiday for me in a way, and really, I do think I deserve one for I’ve been rushed from studio to studio, and lot to lot for many months without a break. ”

Barbara and husband apply for a passport.

You must be tired? the reporter wondered.

“Tired? Never with work! It’s only life that makes me tired. Sometimes though my work makes me anxious. I lie awake at night and wonder whether I am really progressing, whether I am really giving the best of my soul to my art, whether I am really satisfying my public.”

As an good reporter does, Drummond let the moment of silence between them play out. Barbara opened up.

“I’ve had a lonely life,” the siren said. “I have known misery, and infidelity and soul sickness. I have known what it was to be all alone in the wide, wide world with not a human being to turn to for comfort. That is why I have brought Marvin here and given him a home. I couldn’t bear the thought of another morsel of humanity suffering as I have suffered.”

Then, Barbara plays with the facts and wanders from the truth. “For I was a foster child myself. My father was French and my mother Italian, but I never knew them. I was thrust out into the world at the age of four to earn my living as a dancer.”

Reatha Watson’s entry in the 1900 U.S. Federal Census. Her father and mother were from Illinois and Oregon. Barbara was one of five children.

Barbara told of her years as a dancer in her teens. Those years taught her about carriage and poise.

“Many a producer has asked me where I learned to walk with such ease and charm. My walk has won for me more than one part I am sure. That is no credit to myself–all dancers know the way.”

What about ambitions for acting?

“Always, in the bottom of my heart, but for many years  I crushed it down,” Barbara recalled. “I have felt, too, the ache to write; and indeed I have written. It was my pen that brought me indirectly to the screen. When I had been dancing for ten years or so, the life began to sicken me. I longed to create. I longed to express myself in poetry, and I wrote quite a number of verses that were accepted by American magazines.  Gradually I established a position as a writer and chance threw at my feet the offer of a post in the scenario department of the Fox Film Company.”

She wrote the scenario for His Brother’s Wife. Then she was tapped to appear before the camera.

“I have little time for writing nowadays,” Barbara said. “Since I started working in pictures, parts have come fast and furious. They say I am a type. They say they can’t think what they’d do without me now. Nita Naldi is a type, too. Consequently we must be two of the busiest women on the screen.”

She touched on two men who furthered her career in films: Douglas Fairbanks and Rex Ingram.

Ramon Novarro, Rex Ingram, and Barbara rehearse a scene for Trifling Women.

“I doubt if I should ever have been known to-day if it had not been for the piece of luck that brought Douglas Fairbanks to engage me for the part of Milady in The Three Musketeers.”  Ingram discovered her in the studio cafeteria when he was filming The Prisoner of Zenda and preparing for Black Orchids. “My walk — Oh, how often I have blessed that walk — caught his eye. He promptly came across and spoke to me. I was in luck that day. He gave me first the part of Antoinette de Mauban in The Prisoner of Zenda. In due course, he carried out the contract. And meanwhile I stayed on at the Metro studios to play the vamp in Quincy Adams Sawyer.

Barbara on the set of The Eternal Struggle with cast and crew.

Bess Meredyth reads her scenario of Thy Name is Woman to Barbara and others.

Drummond reminded her that the vamp in Quincy Adams Sawyer was played in “gingham and country mannerisms.”

“A vamp in any other dress is still a vamp,” Barbara laughed. “It’s the look in the eye that does it. Clothes don’t make much difference really.”

The sad, soulful eyes of Barbara La Marr.

The reporter questioned Barbara about her large, soulful eyes and how they helped create her image as a screen siren. Barbara confided that producers urged her to insure them against injury from “Sunlight arcs.” She took out a £5,000 policy.

Barbara was in a constant battle with her weight. Excessive dieting was partially responsible for her death in 1926.

Barbara continued, “Louise Fazenda once told me that I made her think of women at tombs. I think she was right. Sometimes I seem to get outside of my own sadness and look at it, and I know then what she meant.”

Barbara’s gowns were always spectacular.

When the interview was over, Drummond descended Whitley Heights and headed down into Hollywood. She relived her experience with the screen’s most popular vamp, especially her comment of being finished with men.

The reporter concluded, “I began to have a strong suspicion that the gentle art of leg-pulling was not unknown to Beautiful Barbara!”

Less than two years after her interview with Joan Drummond, Barbara La Marr was fighting for her life. The ailing actress is pictured with her father, William Watson.

My Visit with Barbara La Marr

My visits with Barbara La Marr happen every time I venture out to Hollywood.  They are rather one-sided, you understand.  I visit her at her final resting spot, a crypt in the Great Mausoleum at the Hollywood Memorial Cemetery (Hollywood Forever). I have never been to Hollywood that I didn’t spend a little time with the siren known as “The Girl Who Was Too Beautiful.”

My 2011 visit with Barbara La Marr.

Last month, when I spent a few minutes with Barbara, there were lip prints on the marble above her name.  Someone either left them there for her, or perhaps she was trying to bring me a kiss from the Great Beyond.

Crimson prints from Barbara La Marr

I do have a thing for Barbara La Marr. She fascinates me, just as she did millions of movie fans in the 1920s. There is a sense of mystery about her that has never been explained.  When I read about her, I want to know more.  If I am asked about those I wished I could have interviewed, Barbara La Marr is always at the top of the list.

It is her soulful eyes that draw me to her.  There’s an undeniable sadness that peers out from a troubled soul.

Things didn’t always so bleak in Barbara La Marr’s troubled personal life.

In mid-1922, life started looking brighter for this butterfly of the night. She quietly gave birth to Marvin Carville La Marr in July. Being unwed, she sent little Marvin to live with family friends until she could hatch a plan to orchestrate an adoption. Marvin was officially adopted by Barbara in February 1923.

Barbara and son

Marvin, now Tom Gallery, told me the story of his life in an interview for Dangerous Curves atop Hollywood Heels. With her multiple failed marriages, heavy drinking, busy work schedule, one wonders how motherhood fit into her life plan.

“Barbara finally found out she couldn’t find a man she could love,” her son told me. “She thought, ‘I can love Marvin and he will love me unconditionally,’ and that’s something she didn’t get from the men she married.”

Barbara and Marvin settled down in her spacious home high above Hollywood on Whitley Terrace. She invited friend and writer Grace Kingsley for a visit. Photos of her luxurious dwelling were published in fan magazines and gave her loyal following a glimpse of how their favorite vamp lived. Let’s have a peek.

The caption in Motion Picture Classic read, “Above is the lovely chatelaine and her adopted baby, who is king of the house, naturally.”

“Above is the exterior in its lovely grove of shade trees. It also clings to the California tradition of brown stucco and red-tiled roof.”

“The little sun porch where Barbara and the baby spend their leisure hours, kept cool by the breezes blowing thru the Cahuenga Pass.”

“The spacious living room of the La Marr home.”

“The far end of Miss La Marr’s interesting living room, with its harmonious blending of Spanish and Italian.”

“Barbara’s bedroom, which is done in an odd, tho effective color scheme of pale blue and green.”

Many years later, her son returned to the house on Whitley Terrace to see if he had any recollections of living there. He came into a hall and approached a blank wall. He asked what had been there. The owners said it had once been a escape hatch, as the kidnapping of celebrity’s children was always a threat.

From the street, you can see the chimney and roof of Barbara’s home. The Hollywood Sign is visible in the distance.

Barbara married her fifth husband, actor Jack Daugherty, in 1923. Her family was now complete.

Mr. and Mrs. Jack Daugherty

Later that year, they honeymooned in Paris, before going to Rome, where Barbara filmed The Eternal City.

Barbara and Jack’s passport photos

Despite her hopes and dreams, Barbara’s life unraveled in 1924. Her health, ravaged by years of alcohol abuse and constant dieting, began to show on her famous face and figure. She faced numerous legal entanglements and her films were under constant threat of being banned. By the fall, her marriage was on the rocks.

Sadly, the La Marr – Daugherty marriage failed.

While filming a scene for The Girl from Montmartre, Barbara La Marr, seriously ill with tuberculosis, collapsed and had to be carried from the set. She went into seclusion at her Altadena home and battled for her life. On one of her good days, she called friend ZaSu Pitts to her bedside.

“If I don’t make it, would you raise my little boy?” she asked Pitts. According to Barbara’s son, his mother gave Pitts $100,000 for his care.

In late January 1926, Barbara slipped into a coma. She died January 30. “Broken nerves and complications” were to blame, according to initial reports from the press.

Little Marvin was adopted by ZaSu Pitts and her husband, Tom Gallery. His name was changed to Don Gallery. “ZaSu never called me her adopted son,” said Don. “I was always part of the family.”

Poet Margaret Sangster wrote a poem in tribute to the screen siren.

Somewhere, back of the sunset,

Where loveliness never dies —

She dwells in a land of glory,

With dreams in her lifted eyes.

And laughter lives all about her,

And music always in the air;

She is far from all thoughts of sadness,

Of passion, and doubt, and care!

The flowers of vanished April,

The lost gold of summer’s mirth,

Are wrapped, like a cloak, about her,

Who hurried, too soon, from earth.

And we who have known her splendor —

A beauty that brought swift tears;

Will cherish her vision, always,

To brighten the drifting years!

Barbara, who crammed five lifetimes into a mere 29 years, had a fear of being forgotten. When she signed her photographs, she added, “Lest you forget.”

Lest we forget?  Not a chance!

Actress Sherri Snyder (who has portrayed Barbara on stage), Don Gallery (Barbara’s son), and Michael G. Ankerich